nova babilonia 2

• “Constant always saw New Babylon as a realizable project, which provoked intense debates at schools of architecture and fine arts about the future role of the architect. Constant insisted that the traditional arts would be displaced by a collective form of creativity. He positioned his project at the threshold of the end of art and architecture. Yet it had a major influence on the work of subsequent generations of architects. It was published widely in the international press in the 1960s and Constant quickly attained a prominent position in the world of experimental architecture. But this influence would eventually be forgotten; the project has not been displayed since Constant stopped working on it in 1974.“
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  Text by Mark Wigley from ‘New Babylon. The Hyper-architecture of Desire